Up close and incredibly painful

Up close and extremely painful

We do not hate anybody! We do not hate anybody ever!

Morals don't depend on victory!

Morals don't depend on victory. Victory is not important! This is not a comic book! This is not a video game! So what if one side wins? So what if one side loses? Why should that matter? Is God so petty that He picks a favorite side? That is silly! Right people lose all the time! Wrong people win all the time. This is not a video game! This is life! This is where things really matter! Why can we not break conventions society puts on us? Society can be wrong! In real life, pain is really there, and things cannot ever be discussed by anyone, without everyone getting pointlessly angry 😠 at each other! Give up on the wrath! Learn to care ❤ about others! This is the only way to live!

Spain coronavirus 🍺

Rapunzel

by the Grimm Brothers

---

There were once a man and a woman who had long in vain wished for a child. At length the woman hoped that God was about to grant her desire. These people had a little window at the back of their house from which a splendid garden could be seen, which was full of the most beautiful flowers and herbs. It was, however, surrounded by a high wall, and no one dared to go into it because it belonged to an enchantress, who had great power and was dreaded by all the world.
One day the woman was standing by this window and looking down into the garden, when she saw a bed which was planted with the most beautiful rampion - Rapunzel, and it looked so fresh and green that she longed for it, and had the greatest desire to eat some. This desire increased every day, and as she knew that she could not get any of it, she quite pined away, and began to look pale and miserable.
Then her husband was alarmed, and asked, "What ails you, dear wife?"
"Ah," she replied, "if I can't eat some of the rampion, which is in the garden behind our house, I shall die."
The man, who loved her, thought, sooner than let your wife die, bring her some of the rampion yourself, let it cost what it will. At twilight, he clambered down over the wall into the garden of the enchantress, hastily clutched a handful of rampion, and took it to his wife. She at once made herself a salad of it, and ate it greedily. It tasted so good to her - so very good, that the next day she longed for it three times as much as before. If he was to have any rest, her husband must once more descend into the garden. In the gloom of evening, therefore, he let himself down again. But when he had clambered down the wall he was terribly afraid, for he saw the enchantress standing before him.
"How can you dare," said she with angry look, "descend into my garden and steal my rampion like a thief? You shall suffer for it."
"Ah," answered he, "let mercy take the place of justice, I only made up my mind to do it out of necessity. My wife saw your rampion from the window, and felt such a longing for it that she would have died if she had not got some to eat."
Then the enchantress allowed her anger to be softened, and said to him, "If the case be as you say, I will allow you to take away with you as much rampion as you will, only I make one condition, you must give me the child which your wife will bring into the world. It shall be well treated, and I will care for it like a mother."
The man in his terror consented to everything, and when the woman was brought to bed, the enchantress appeared at once, gave the child the name of Rapunzel, and took it away with her.
Rapunzel grew into the most beautiful child under the sun. When she was twelve years old, the enchantress shut her into a tower, which lay in a forest, and had neither stairs nor door, but quite at the top was a little window. When the enchantress wanted to go in, she placed herself beneath it and cried,

"Rapunzel, Rapunzel,
Let down your hair!"

Rapunzel had magnificent long hair, fine as spun gold, and when she heard the voice of the enchantress she unfastened her braided tresses, wound them round one of the hooks of the window above, and then the hair fell twenty ells down, and the enchantress climbed up by it.
After a year or two, it came to pass that the king's son rode through the forest and passed by the tower. Then he heard a song, which was so charming that he stood still and listened. This was Rapunzel, who in her solitude passed her time in letting her sweet voice resound. The king's son wanted to climb up to her, and looked for the door of the tower, but none was to be found. He rode home, but the singing had so deeply touched his heart, that every day he went out into the forest and listened to it. Once when he was thus standing behind a tree, he saw that an enchantress came there, and he heard how she cried,

"Rapunzel, Rapunzel,
Let down your hair!"

Then Rapunzel let down the braids of her hair, and the enchantress climbed up to her. "If that is the ladder by which one mounts, I too will try my fortune," said he, and the next day when it began to grow dark, he went to the tower and cried,

"Rapunzel, Rapunzel,
Let down your hair!"

Immediately the hair fell down and the king's son climbed up. At first Rapunzel was terribly frightened when a man, such as her eyes had never yet beheld, came to her. But the king's son began to talk to her quite like a friend, and told her that his heart had been so stirred that it had let him have no rest, and he had been forced to see her. Then Rapunzel lost her fear, and when he asked her if she would take him for her husband, and she saw that he was young and handsome, she thought, he will love me more than old dame gothel does. And she said yes, and laid her hand in his.
She said, "I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse."
They agreed that until that time he should come to her every evening, for the old woman came by day.
The enchantress remarked nothing of this, until once Rapunzel said to her, "Tell me, Dame Gothel, how it happens that you are so much heavier for me to draw up than the young king's son - he is with me in a moment."
"Ah! You wicked child," cried the enchantress. "What do I hear you say. I thought I had separated you from all the world, and yet you have deceived me."
In her anger she clutched Rapunzel's beautiful tresses, wrapped them twice round her left hand, seized a pair of scissors with the right, and snip, snap, they were cut off, and the lovely braids lay on the ground. And she was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery.
On the same day that she cast out Rapunzel, however, the enchantress fastened the braids of hair, which she had cut off, to the hook of the window, and when the king's son came and cried,

"Rapunzel, Rapunzel,
Let down your hair!"

she let the hair down. The king's son ascended, but instead of finding his dearest Rapunzel, he found the enchantress, who gazed at him with wicked and venomous looks.
"Aha," she cried mockingly, "you would fetch your dearest, but the beautiful bird sits no longer singing in the nest. The cat has got it, and will scratch out your eyes as well. Rapunzel is lost to you. You will never see her again."
The king's son was beside himself with pain, and in his despair he leapt down from the tower. He escaped with his life, but the thorns into which he fell pierced his eyes. Then he wandered quite blind about the forest, ate nothing but roots and berries, and did naught but lament and weep over the loss of his dearest wife.
Thus he roamed about in misery for some years, and at length came to the desert where Rapunzel, with the twins to which she had given birth, a boy and a girl, lived in wretchedness. He heard a voice, and it seemed so familiar to him that he went towards it, and when he approached, Rapunzel knew him and fell on his neck and wept. Two of her tears wetted his eyes and they grew clear again, and he could see with them as before. He led her to his kingdom where he was joyfully received, and they lived for a long time afterwards, happy and contented.

Barnabas 8

Barnabas 8:1
But what think ye meaneth the type, where the commandment is given
to Israel that those men, whose sins are full grown, offer an heifer
and slaughter and burn it, and then that the children take up the
ashes, and cast them into vessels, and twist the scarlet wool on a
tree (see here again is the type of the cross and the scarlet wool),
and the hyssop, and that this done the children should sprinkle the
people one by one, that they may be purified from their sins?

Barnabas 8:2
Understand ye how in all plainness it is spoken unto you; the calf is
Jesus, the men that offer it, being sinners, are they that offered
Him for the slaughter. After this it is no more men (who offer); the
glory is no more for sinners.

Barnabas 8:3
The children who sprinkle are they that preached unto us the
forgiveness of sins and the purification of our heart, they to whom,
being twelve in number for a testimony unto the tribes (for there are
twelve tribes of Israel), He gave authority over the Gospel, that
they should preach it.

Barnabas 8:4
But wherefore are the children that sprinkle three in number? For a
testimony unto Abraham, Isaac and Jacob, because these are mighty
before God.

Barnabas 8:5
Then there is the placing the wool on the tree. This means that the
kingdom of Jesus is on the cross, and that they who set their hope on
Him shall live for ever.

Barnabas 8:6
And why is there the wool and the hyssop at the same time? Because
in His kingdom there shall be evil and foul days, in which we shall
be saved; for he who suffers pain in the flesh is healed through the
foulness of the hyssop.

Barnabas 8:7
Now to us indeed it is manifest that these things so befell for this
reason, but to them they were dark, because they heard not the voice
of the Lord.

modern art copied from wikipedia

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophy of the art produced during that era.^[1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.^[2] Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art.

Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's two versions of The Dance signified a key point in his career and in the development of modern painting.^[3] It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

tomorrow will be kinder google translated

A black cloud is behind me and now looks forward
Wonder why i am going to end
Sorrow squeezes my shoulder
And the problem follows my heart
But I know the present will not last
And tomorrow will be more friendly

[chorus]
Tomorrow will be friendly
Yeah, I've seen it before
A bright day is coming
Yes, tomorrow will be more friendly

[Section 2]
I shed many tears today.
And the pain of my heart
There's a sad sight around me
I don't know where to start
But the skin is warm
The stars all fell
The wind was blowing, but I know it now
This morning will be happier

[Choir]